title | details | medium | with | period | |
Maintenance as a Practice of Care in Archival Labour | practice-based research project | archival practice, moving image, creative writing, thesis | Winter 2022 - Summer 2023 - ongoing | ||
No Sudden Revelations | archival practices, underground time and space | moving image, writing, sound | in conversation with Else/Xun | Winter 2022 - Spring 2023 | |
Overburden Blast | backlog and deferred maintenance, controlled violence | moving image | Winter 2022 | ||
ASAP (as slow as possible) | archival labour | found still image, self-publishing | Winter 2022 | ||
Hands | movements in archives | moving image, still image | Fall 2022 | ||
Untitled | collective gathering and making, recording life | sound | with Yinchen Li | Fall 2022 | |
在两种睡眠中间 in the middle of both sleeps |
queer living spaces and growing old together, co-writing | moving image, writing, sound, self-publication | as 1/2 of 河边哼歌 Hbhg | Spring - Summer 2022 | |
Queer Language in China: An Exploration of Resistance Strategies |
thesis, presentation, talk | as 1/2 of 河边哼歌 Hbhg | Summer - Winter 2021 | ||
把我埋在土坡上 Bury Me on the Hillside |
dwelling and the authenticity of hybrid languages, co-writing | moving image, writing, sound | as 1/2 of 河边哼歌 Hbhg | Winter 2021 - Spring 2022 | |
Untitled | Sinophone sphere, co-writing in diasporic voices, | moving image, writing | as 1/2 of 河边哼歌 Hbhg | Spring 2021 | |
untitled experiment | Sinophone sphere, diasporic voices | moving image, sound | Spring 2021 | ||
Navigation 1 & 2 | digital navigation during the pandemic | moving image | Spring 2021 | ||
untitled experiment | digital manipulation of the viewing experience | moving image | Winter 2020 | ||
A Room | textural existence, co-writing | moving image, writing | as 1/2 of 河边哼歌 Hbhg | Winter 2020 - spring 2021 | |
seashell | analogy, language, the process of naming, ambience | webpage | Fall 2020 | ||
type something | readability, presence of text, ambience | webpage | Fall 2020 | ||
the gallery of non-existent images | relationship between the visual and the textual | webpage | Fall 2020 | ||
Selected poems | writing | 2017-2020 | |||
Monument / Glass | living spaces, limited movements and early pandemic life | moving image, 3D render, downloadable content | Spring 2020 | ||
Conversation | suspended languages and the sea, agency of subtitles | moving image, writing, performance | Winter 2019 - Spring 2020 | ||
Respond. Wait for Something to Happen. | concrete sequence/process | moving image, 3D render, self-publishing, photo book | Winter 2019 - Spring 2020 | ||
Kilt Rock | memories, approximation and re-production | sound | Winter 2019 | ||
Surface | automation and randomness | moving image, 3D render | Winter 2019 | ||
Darkroom Meditation | repetitive movements, darkroom as a meditative space | photographic prints | Fall - Winter 2019 | ||
Luminogram Log | gathering, time | photographic paper | Fall - Winter 2019 | ||
How to Fit A Piece of Ice in Your Hand, and the Other Way Around |
violent meditation, sequence, performativity, time | moving image, installation, performance | model: Else | Winter 2019 | |
The White Wall | generating friction between subtitles and VO | moving image, sound | Winter 2019 | ||
untitled experiment | irreversibility of perception | moving image installation, performance | Winter 2019 | ||
Outro (closing credits) | site-specific printed-out latent image, imperceptible changes | sculpture, installation | Fall 2019 | ||
Scan 1 & 2 | imperceptible changes, violent meditation | photographic paper | Fall 2019 | ||
Photographic Void | latent image and image reproduction processes | liquid photo emulsion, sculpture, installation | Summer 2019 | ||
Sight Goes Murky, and I Go Blind | photo-poetry and ambiguity | self-publishing, photo book, writing | model: Else | Spring 2019 | |
Experimental Hug | vulnerability and friendship | self-publishing, photo book | model: Else & Ana | Spring 2019 |